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Strawhatz – Ching Revisited

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A crew known for conical straw hats and synchronized drill work returns with a sharper cut of one of their earliest singles.

Strawhatz, the dance and electronic music collective built around tight group choreography and a visual signature of Asian-style straw hats, has released “Ching Revisited,” a reworked version of their fourth single. The new cut pairs the group’s rapid-fire formation work with an updated take on the original “Ching” instrumental, shot by videographer Vimo. It’s the latest entry in a run of singles the group has pushed out since debuting with tracks like “Drop the Beat” and “Power Up.”

• “Ching Revisited” reworks Strawhatz’s fourth single, “Ching,” with new production and a new video shot by Vimo.
• The audio was produced by Norwegian producer William Larsen (Will IDAP) alongside Strawhatz for IDAP Music, mixed by Nick Squillante and mastered by Grammy-winning engineer Joe LaPorta.
• The single arrived digitally in early 2020, joining prior Strawhatz releases “Drop the Beat” and “Power Up” across streaming platforms.

The True Identity of Strawhatz

Strawhatz isn’t a traditional band with a frontman and a setlist — it’s a collaborative dance and electronic music collective, built around performers who work in conical straw hats and move as a single synchronized unit. Their identity is visual as much as it is sonic: fast, drilled choreography set against club-ready electronic production. “Ching Revisited” leans into that formula, giving the group’s dancers room to show off the kind of unison footwork and formation changes that have become their calling card.

The Production Behind the Reworked Track

The reworked audio came together through a specific production chain. Norwegian producer William Larsen, who records as Will IDAP, built the track alongside Strawhatz for his own imprint, IDAP Music. From there, Nick Squillante handled the mix, and the final master went to Joe LaPorta — an engineer with Grammy-winning credits, brought in to give the electronic mix the same polish major label singles get before streaming release.

A single mastered by a Grammy-winning engineer, built by a producer who records as Will IDAP, and performed by a crew that dances in straw hats.

The Visual Approach

Vimo, the videographer credited with shooting “Ching Revisited,” frames the video around the group’s choreography rather than narrative or setting. The camera work is built to keep pace with fast formation changes and synchronized hits timed to the electronic production underneath, which is consistent with how Strawhatz has presented its earlier singles — the group treats the video as an extension of the performance itself rather than a separate concept.

Part of a Bigger Rollout

“Ching Revisited” didn’t land in isolation. It’s part of a string of singles Strawhatz pushed to streaming platforms in early 2020, following earlier tracks “Drop the Beat” and “Power Up.” Anyone tracking the group’s catalog on Trending Music releases will notice the pattern: a steady drip of reworked and original singles rather than a single album drop, each one leaning on the same combination of choreography and electronic production. The group has also used its Instagram presence to push each release directly to fans following along in real time.

With “Ching Revisited” now out, the next question is simply whether Strawhatz keeps the reworking pattern going — taking earlier singles like “Drop the Beat” or “Power Up” and giving them the same Will IDAP/LaPorta treatment, or pushes forward with new original material for the next drop.