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Keanu Reeves MPX run with Halle Berry

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Keanu Reeves is burning through an MPX carbine on Taran Butler’s range, and Halle Berry is the one holding the stopwatch.

This isn’t a scene from the finished film — it’s raw prep footage from Taran Tactical Innovations, shot at Taran Butler’s Simi Valley facility as Reeves and Berry geared up for “John Wick: Chapter 3 – Parabellum.” The clip shows Reeves running a live-fire drill on a customized TTI Sig Sauer MPX pistol-caliber carbine while Berry stands on the firing line clocking his run with an electronic shot timer. It’s a behind-the-scenes look at the kind of real marksmanship training that goes into making the Wick gunplay look as clean as it does on screen.

• The video documents actual tactical training, not a movie scene — footage from Taran Butler’s Simi Valley range facility, released by Taran Tactical Innovations (TTI).
• Keanu Reeves runs a live-fire drill on a customized TTI Sig Sauer MPX carbine while Halle Berry operates the electronic shot timer alongside him.
• Butler’s range served as the primary firearms prep ground for both Reeves and Berry ahead of “John Wick: Chapter 3 – Parabellum,” covering reloads, transitions, and marksmanship work tied into 87eleven’s stunt choreography.

Inside Taran Butler’s Range

Taran Butler has built a reputation as one of the go-to firearms trainers for Hollywood action productions, and his Simi Valley facility became the testing ground for the gunfighting style baked into the third “John Wick” installment. TTI doesn’t just supply the on-screen hardware — Butler’s team builds custom race guns and puts the cast through structured drills that mirror USPSA-style stages: draw, transition, reload, repeat, all against the clock.

The MPX seen in the clip is a TTI-customized pistol-caliber carbine, built for the fast target transitions and controlled recoil that let an actor look competent firing dozens of rounds in a single take. Reeves runs the course while Berry, his co-star in the film, works the line with an electronic shot timer to log his splits.

On-Screen Training Significance

“John Wick” director Chad Stahelski, himself a former stuntman, has built the franchise’s identity around actors doing as much of their own gunplay as possible rather than relying purely on editing tricks. That philosophy is why sessions like this one exist — Reeves and Berry weren’t just rehearsing blocking, they were logging live rounds and real times on Butler’s range so the on-camera work would hold up.

Reeves runs the MPX course live, round for round, while Berry clocks every second of it with the timer in her hand.

That kind of prep is consistent with how the franchise has approached its gun-fu reputation since the first film — pairing real competitive shooters with actors long before cameras roll. Fans who’ve followed the physical training culture around action franchises will recognize the same instinct behind other sets, like the weapons work actors put in ahead of The Old Guard’s combat training sessions.

Berry’s Role Beyond the Timer

In the film itself, Berry plays Sofia, a former assassin running a hotel in Casablanca and allied with Wick, a role that demanded its own firearms and dog-handling work. In this training clip, though, she’s not the one shooting — she’s on the line supporting Reeves’ run, timer in hand, which speaks to how collaborative the prep process was between the two leads rather than each actor training in isolation.

It’s the kind of dynamic that echoes across other ensemble action productions where co-stars cross-train together rather than separately, similar to how the cast of Gunpowder Milkshake built out its own gun-handling chemistry before filming.

Butler’s range sessions like this one rarely make it past a small circle of gun enthusiasts and stunt-industry followers — TTI posts the raw footage mostly to show off what the MPX build can do in real hands. For “John Wick” fans, though, it’s the closest thing to proof that the carbine work in “Parabellum” wasn’t just movie magic dressed up with sound effects.